Final Project Sequence

Important

Gearing up for your assessment

Your final assessment for this course involves you:

1. producing a final project sequence of four to six completed shots edited in sequence and based on the concept and storyboard you’ve developed in the previous Visual Storytelling topic
2. submitting a written reflection about your sequence describing each shot you have designed and produced and explaining your choices in terms of narrative techniques.

If you haven’t already, visit this module’s Assessment 2: Final Project Sequence and read through the assessment tasks and requirements to help you understand what is expected of you throughout this module.

Explore

Unlock inspiration and insights from previous students’ final project sequences

Watch four final project sequences from previous students of the Diploma in Animation, showcasing their storytelling approaches, 2D and 3D animation techniques, and creative 2D and 3D productions that successfully communicated compelling narratives. 

By watching these four examples, you can draw inspiration, observe the application of course concepts in practice, and set benchmarks for your own project. Use this opportunity to observe other students’ work to enhance your sequence,  allowing you to reflect on how you can creatively meet and exceed the course objectives.

What insights can you gain from watching these final project sequence productions? How can these insights inform your understanding of the possibilities and expectations for your own final project sequence?

Practice

Check your knowledge – Getting Ready for Your Final Project Sequence

Get ready to test your knowledge about how this Final Project Sequence topic works. This quiz is designed to help reinforce your understanding of what’s involved in the topic and is not part of the formal assessment process. So treat it as a valuable tool to identify areas for review. 

You'll encounter six questions, made up of a variety of question formats, including multiple choice, true or false, and fill in the blanks. It’s just a learning check and not a formal assessment – so relax and enjoy the challenge!

After completing the quiz, move to the next subtopic – Pre-production – and learn how to create your production schedule to launch your final project sequence journey.

Case Study

Managing your time: A case study in effective project scheduling

The production schedule for the case study sequence has a tighter time frame than your six-week allocation, as shown in the case study production schedule below. For a clearer view, you can also download the full-size image here: Production Schedule: The Body in the Library.  

In this case study production schedule, each of the three main project stages is split into sections, providing a clear understanding of how long each stage and task should take to stay on schedule and deliver the project on time.  

In more complicated production schedules, each task can be further broken down by scene or shot or even by the individual tasks that you must complete to finish each scene.

At the end of this topic, you'll discover whether the case study project schedule was adhered to or if the time management estimate was wildly optimistic!

Practice

Task 1: Create a production schedule  

Developing a detailed production schedule is crucial for managing your time effectively and ensuring the successful completion of your final project sequence. By breaking down the main stages—pre-production, production, and post-production—into specific tasks, you’ll clearly understand how to allocate your time and resources, keeping you on track and meeting deadlines.

What tools or resources do you need for this task?

Make sure you have access to:

• a spreadsheet tool (e.g., Google Sheets, Microsoft Excel) or project software (e.g., Trello) 
• a calendar or planner
• this example of a production schedule, used for The Body in the Library.

What steps should you take to complete this task?

2 Hours

Set aside two hours to complete steps 2-7 below. Remember to save your work as you go when using any software.

1. Review Project Guidance: If you need to, go through the following sources of information to understand the requirements and deadlines for your final project sequence:
   1. Getting Ready for your Final Project Sequence subtopic 
   2. What are the main project tasks within each stage? section above
   3. Final Image Assessment 2: Final Project Sequence assessment guidance.
2. Outline the Main Stages: Divide your project into the three main stages: pre-production, production, and post-production.
3. Break Down Each Stage into Tasks: List the specific tasks you need to complete for each stage. For example:
   1. Pre-production: Find and gather references; Design visual look; Draw environment layouts; Create animatic.  
   2. Production: Model elements; Texture elements; Finalise camera layout; Animate elements; Set up lighting; Render shots.
   3. Post-production: Composite shots, Edit sequence, Add titles, Add sound (optional).
4. Estimate Time for Each Task: Assign a time estimate for each task. Be realistic about how long each task will take, considering your other commitments and the complexity of the tasks.
5. Create a Timeline: Use a project management tool or a spreadsheet to create a timeline for your schedule. Plot out each task along the timeline, ensuring sufficient time is allocated for each task.
6. Include Milestones: Identify key milestones in your schedule, such as the completion of pre-production, the first render of a shot, or the final edit of the sequence. These milestones will help you track your progress.
7. Review and Adjust: Look over your schedule to ensure it is realistic and comprehensive. Make any necessary adjustments to balance your workload and meet deadlines.

What should you do after completing this task?

1. Are the allocated times for each task realistic and manageable? Does the schedule provide a clear path for meeting your final sequence project deadlines?
2. Share your production schedule to Forum:
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 1: Schedule’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your schedule using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.

With your production schedule in place, you’re ready to move on to the first milestone: Gathering references for key elements of your sequence. This will involve collecting visual and conceptual references to guide the design and development of your final project sequence. Your well-organised schedule will help you stay on track as you begin this first milestone.

Case Study

Gathering references for The Body in the Library

Specific references were gathered as part of the pre-production stage for The Body in the Library. The following outlines the main elements and objects crucial for the animation sequence, ensuring that the setting is sufficiently detailed and period-appropriate.

Main references for the project

These main elements require the most time and effort to produce. These include:

• A private library
  • Examples of libraries from old manor houses or similar settings, emphasising wood panelling.
  • Ideas for objects that will fill the library, making it appear lived-in and avoiding an empty look.
• Gramophone: This object will serve as a key historical anchor for grounding the sequence in a particular timeframe.
• Main chair: A chair, positioned next to the fireplace at the end of the room, acts as a focal point in the sequence.
• Fireplaces: Examples of fireplaces that seamlessly fit within the library setting are necessary to maintain visual consistency.
• Books and Bookcases: These objects will be integral to the library's ambiance, requiring attention to design and placement.

Additional references for enhancing the library

To further enrich the library's environment, the following elements are also considered:

• Objet d’art: Small ornaments or knickknacks scattered around shelves and tables, adding character and depth to the setting.
• Vases: Decorative vases to complement the overall aesthetic of the library.
• Lamps: Period-appropriate lamps that will contribute to the room’s lighting and atmosphere.
• Rugs and rug patterns: Examples of rugs that align with the historical period and style of the library.
• Paintings: Artworks to adorn the walls, enhancing the visual appeal and historical context of the room.

Practice

Task 2: Find and gather references for your key story elements

Creating reference boards is essential for gathering visual and conceptual inspiration for your main story elements. These boards will serve as a foundational resource when developing and drawing the settings and objects crucial to your story, ensuring that your designs are both accurate and visually compelling.

What tools or resources do you need for this task?

Make sure you have access to:

• Digital tools (e.g., Pinterest, Behance, Instagram) or physical materials (e.g., poster board, printouts)
• Your story concept and storyboard
• Internet access for research
• Your project schedule.

What steps should you take to complete this task?

3 Hours

Set aside three hours to complete steps 1-7 below. Remember to save your work as you go when using any software.

1. Refer to your project schedule to allocate sufficient time for finding and gathering references. Ensure this task is included in your schedule.
2. Review Your Story Concept and Storyboard: Revisit the story concept and storyboard to identify key settings, objects, and any specific visual details that are central to your narrative.
3. Identify Key Elements: List the main story elements that need reference, such as locations, props, or items that are important to the sequence.
4. Collect References: Start gathering visual references for each identified element, e.g. images from the internet, photographs, art pieces, or sketches. Focus on capturing a range of styles and details that could inform your design.
5. Organise Your References: Create separate boards for each key element. If using digital tools, set up boards or folders for each category. For physical boards, arrange printouts and images neatly.
6. Annotate Your Boards : Add notes to your reference boards to highlight important features, colour schemes, textures, or design details that you want to incorporate into your final designs.
7. Review and Refine: Assess your reference boards to ensure they cover all necessary elements and provide a comprehensive visual guide. Refine your boards as needed to ensure they are useful for your ongoing design process.
    

What should you do after completing this task?

1. Have you included a diverse range of references that cover all key story elements? Are the annotations on your boards clear and helpful for guiding your design process?
2. Share your reference boards to Forum:
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 2: References’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your files using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
4. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

With your reference boards prepared, you are ready to move on to developing the visual look for your sequence. Use the insights and details from your boards to inform the visual look development of your settings and objects, creating a cohesive and engaging visual style for your project.

Case Study

Researching a look for The Body in the Library

Four short films have been identified as each having a particularly appealing look.  

The short films are embedded below for you to view. While watching each film, try to identify and describe (note down) some of the visual elements that help define their look. Ask yourself:

• What do you notice about the visual style of each film?
•  Are there stylistic similarities between the films?

Alma short film (youtube.com)

Oscar-nominated comedy about not trusting appearances | CGI Short film ‘French Roast’ (youtube.com)

Dreamhouse | AD (youtube.com)

Now streaming (youtube.com)

Case Study

Identifying a look for The Body in the Library

Among the visual styles of the four films, Alma and French Roast best fit with the narrative of The Body in the Library project. The two films share similarities in their visuals and direction, with slower-paced and more traditional visual styles.  

In contrast, the visual styles of the other two films, Salesman Pete and Meet Buck, would better suit a more vibrant and fast-paced sequence.

With the key visual elements of the two naturalistic films identified, these main points are kept in mind in the next Pre-production task – designing and developing interior and props concepts – and throughout the early Production stage, aiming to refine the project’s visual style and workflow.

Practice

Task 3: Develop the visual look for the sequence  

Start developing the visual look for your own sequence by examining and analysing visual styles in animated films that inspire you. By identifying key elements of their visual styles, you'll understand how visual elements contribute to a film's overall look, which will help you create and apply your own visual style during the look development stage of your project.  

What tools or resources do you need for this task?

Make sure you have access to:

• Two animated films of your choice (streaming services, DVDs, or online sources)
• A digital document for notes
• Optional: Screenshot tool  
• Your project schedule.

What steps should you take to complete this task?

3 Hours

Set aside three hours to complete steps 1-8 below. Remember to save your work as you go when using any software.

1. Refer to your project schedule to allocate sufficient time for developing the visual look for your sequence. Ensure this task is included in your schedule.
2. Select Films: Choose two animated films that you like the look of and feel are relevant to your project's style.
3. Watch and Observe: Watch the selected films, paying close attention to the visual styles. Take notes on elements that stand out, such as colour schemes, backgrounds, lighting, and any unique stylistic choices.  
4. Capture Key Moments: Capture images or take screenshots of key moments that best represent the visual style of each film.
5. Analyze Elements: Identify and describe the key visual elements in each film. Focus on aspects like: 
   1. Colour palette and use of colour
   2. Backgrounds and environments
   3. Lighting and mood
   4. Animation techniques and effects
6. Compare and Contrast: Compare the visual styles of the two films. Note any similarities or differences and consider how each style supports the story and mood of the film.
7. Document Findings: Compile your notes, analyses, and captured images into a visual style reference document (e.g. a collection). This will serve as a valuable resource for developing your own visual style.
8. Reflect and Review: Review your findings and consider how the visual elements identified can inspire and influence your own project.  

What should you do after completing this task?

1. How do the visual styles of the selected films differ and what common elements do they share? Which visual elements stood out to you the most, and how can they be incorporated into your own project?
2. Share your visual look reference document   to Forum:
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 3: Visual styles’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your images or files using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
4. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

Use your visual style reference document to guide you in the next section, designing and developing interior and props concepts. This will help ensure your sequence's visual style is cohesive and well-defined.

Case Study

Designing the interior and props for The Body in the Library

For this case study, due to a very limited timeframe to complete the sequence, there was a departure from the usual extensive experimentation and exploration during this concept development step.

Concept and design focus

As you may notice when you look at the concept drawings below, only a few variations were designed, with minimal exploration of colour.

The focus instead was on designing the main story-driven elements of the production, leveraging extensive prior experience to arrive at finalised concepts without the customary exploration and development of a visual narrative.

Exploration was briefly undertaken with different chair styles, which will serve as the main hero chair in front of the fireplace. Modified versions of this chair are planned for the other chairs in the library.

_{Exploring different chair styles.}

As for the other primary story elements of the project, only one drawing was completed for each, loosely indicating the intended appearance. Once again, prior experience is relied upon to achieve a reasonably professional product in both this early design stage and the upcoming Production phase.

_{Concept development for other primary props.}

Practice

Task 4: Design and develop concepts for interior scenes and props

Enhance your concept design skills through experimentation with different shapes and ideas for key elements within an interior scene. By exploring diverse visual inspirations and creating multiple concept variations, you'll better understand how to craft impactful and narrative-driven interior scenes and props.

What tools or resources do you need for this task?

Make sure you have access to:

• Your reference boards for your main story elements
• Your visual style reference document
• Sketchbook or digital drawing tools (e.g., Adobe Photoshop, Illustrator, or similar)
• Presentation software (e.g., PowerPoint, Google Slides, or similar) 
• Your project schedule.

What steps should you take to complete this task?

4 Hours

Set aside four hours to complete steps 1-6 below. Remember to save your work as you go when using any software.

1. Refer to your project schedule to allocate sufficient time for designing and developing concepts for interior scenes and props. Ensure this task is included in your schedule.
2. Refer to your reference boards for the main story elements to gather inspiration and visual information pertinent to the selected scene.
3. Create multiple concept variations for each main element, exploring different shapes, styles, and initial ideas. Refer to your visual style reference document when doing this.
4. Use silhouette sketches to assess the emotional impact and narrative suitability of each design variation.
5. Identify and refine a central ‘hero’ element in the scene, emphasizing exploration over final polish.
6. Review and select the most effective concept designs, supported by a concise explanation of design choices.
7. Compile sketches, variations, and written explanations into a presentation document (e.g. a collection of design sketches) suitable for sharing (e.g. a .JPG image file) and upload it to the Forum for feedback.
    

What should you do after completing this task?

1. How do the selected concepts enhance the narrative and emotional tone of the scene? What elements worked well, and what could be improved in future designs? 
2. Share your presentation document to Forum:
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 4: Interior concepts’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your images(s) or files using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
4. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

As you transition to the next section, focus on developing detailed environment layout drawings of the key elements you've designed. You’ll translate your concepts into scaled drawings that define spatial relationships and composition, and then use these layouts to guide the construction of your environment in the upcoming production phase.

Case Study

Planning the environment layout for The Body in the Library

For this case study, the basic structure of the room (i.e. the library) was sketched to indicate the first floor of the environment, including the upper gallery and skylight location (i.e. the sequence’s main light source).

_{Layout of first floor of library, looking down.}

In a separate sketch, the room’s main elements have been loosely planned out, including the placement of the fireplace, main hero chair, gramophone, and newspaper.

_{Layout of ground floor of library.}

Upon creating the layout and comparing it to the storyboard, areas requiring additional dressing became apparent. Incidental objects (for example, sofas, end tables, lamps)  were added to fill those spaces.

Practice

Task 5: Create layout pages for each main story element

Develop a series of layout drawings to depict the exact spatial arrangement of various elements within your sequence. These drawings provide a clear preview of your environment before starting the building process in Maya. Additionally, they help you plan camera angles, visualise camera perspectives, and identify necessary compositional changes.

What tools or resources do you need for this task?

Make sure you have access to:

• Your reference boards and concept designs for interior scenes and props
• Sketchbook or digital drawing tools
• Optional: Adobe Photoshop or other digital art software  
• Your project schedule.

What steps should you take to complete this task?

4 Hours

Set aside four hours to complete steps 1-7 below. Remember to save your work as you go when using any software.

1. Refer to your project schedule to allocate sufficient time for creating the layout pages. Ensure this task is included in your schedule.
2. Review your reference boards and initial concept designs for the main story elements.
3. Create initial layout sketches for each main element, focusing on their spatial arrangement within the environment.
4. Develop detailed layout drawings that depict the exact positioning of each element. Ensure these drawings provide a clear sense of scale and spatial relationships.
5. Plan your camera angles and positions, incorporating these into your layout drawings. Consider how the camera will move through the space and what it will capture.
6. Adjust your layouts based on the planned camera angles, making any necessary compositional changes to enhance the visual storytelling.
7. Compile your layout drawings into a presentation document (e.g. a collection of layout sketches) suitable for sharing (e.g. a JPG image file), clearly labelling each drawing and providing brief annotations explaining your design choices and camera plans.  
    

What should you do after completing this task?

1. How well do your layout drawings communicate the spatial arrangement and scale of the environment? Are the planned camera angles effective in capturing the desired visual narrative?
2. Share your presentation document to Forum:
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 5: Layout’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your images(s) or files using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
4. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

When you’re ready, prepare to create an animatic that incorporates basic sound (optional) and camera movements. Use your layout drawings as a foundation to build a rough animated sequence, allowing you to visualise the timing, pacing, and overall flow of your story. This step will further refine your project and set the stage for production!

Case Study

Animatic for The Body in the Library

Watch the completed animatic for The Body in the Library case study, combining basic simulated camera movements with rudimentary temporary sound.

Practice

Task 6: Create an animatic of your story sequence

Creating an animatic is a key step in the animation production process. It helps you visualise your story’s timing, pacing, and overall flow before moving on to full production. This task is designed to give you hands-on experience in animatic creation, allowing you to refine your sequence and ensure that your final project has a strong narrative foundation.

What tools or resources do you need for this task?

Make sure you have access to:

• Your completed storyboard panels in a digital format, ready for importing into editing software
• Editing software, such as Adobe After Effects
• Sound effects or music (optional)
• Your project schedule.

What steps should you take to complete this task?

8 Hours

Set aside up to eight hours to complete steps 1-8 below. Remember to save your work as you go when using Adobe After Effects or other editing software.

1. Review Your Project Schedule: Refer to your project schedule to allocate sufficient time for creating the animatic. Ensure this task is included in your schedule.
2. Import Your Storyboard Panels: Use an editing programme of your choice, such as Adobe After Effects, and import all the panels created for your storyboard.
3. Arrange Storyboard Panels: Place the imported storyboard panels in the correct order on the timeline to maintain the flow of your story.
4. Adjust Timing: Modify the duration of each image on the timeline to match the desired timing for your scenes. This will help establish the rhythm and pacing of your narrative.
5. Add Basic Camera Movements: Create keyframes on the scale or position attributes of your panels to simulate planned camera movements, such as zooms or pans, that you outlined in your storyboard.
6. Iterate and Refine: Continuously adjust the timing and movements of each panel. Watch the animatic, make necessary tweaks, and review the changes until you're satisfied with the flow and timing.
7. Incorporate Sound (Optional): If you choose, add sound effects or music to enhance your animatic. Ensure to use only royalty-free sounds or self-recorded audio.
8. Save and Publish: Once you’re happy with your animatic, save it in your desired format. Export the final animatic, ensuring it’s ready for the next stage in your production process.

What should you do after completing this task?

1. Does the timing effectively convey the intended emotion? Are the camera movements adding to the storytelling? Reflect on these aspects and consider any adjustments needed before moving forward.
2. Share your animatic to the Forum:
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 6: Animatic’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your animatic using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
4. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

Once you’ve completed your animatic, it’s time to move forward to the next phase of your project: Production. Prepare to bring your story to life by creating your assets, animating your elements, and managing any challenges that arise while executing your creative vision. This stage is where your sequence will fully take shape!

Case Study

Production asset checklist for The Body in the Library

Look at this production asset checklist for The Body in the Library. It includes several different areas to store information and keep track of assets and production tasks.

Practice

Task 7: Track your production assets

Creating a production asset checklist is a crucial step in managing and tracking the progress of your final project sequence. This checklist will help you stay organised by keeping tabs on all the assets needed for each shot, ensuring that each element is accounted for and completed on time. By establishing a clear overview of your production assets, you can effectively manage your workflow, avoid missing critical details, and ensure a smoother production process.

What tools or resources do you need for this task?

Make sure you have access to:

• The Checklist template to start building your production asset checklist
• Your storyboard and layout drawings to identify the assets required for each shot
• Your production schedule to align your asset creation with the overall timeline.

What steps should you take to complete this task?

1 Hour

Set aside one hour to complete steps 1-5 below. Remember to save your work as you go when using the checklist template.

1. Download the Checklist Template: Use the provided template to build your production asset checklist. Alternatively, you can create your own template that best suits your project needs.
2. List Shots and Key Information: Create a row for each asset in your sequence. For each row, include essential information such as the camera name, frame count, and other relevant details.
3. Identify Required Assets: Refer to your finalised storyboards and layout drawings to identify the assets required for each shot. These may include characters, props, environments, and other elements that must be created or animated.
4. Track Production Stages: For each asset listed, note down the current stage of production (e.g. concept, modelling, texturing, lighting, or rendering). This will help you keep track of your progress and identify areas that may need more attention.
5. Review and Finalise: Once your checklist is complete, review it to ensure you have accurately represented all assets and production tasks. Make adjustments as needed to reflect the most up-to-date information.
    

What should you do after completing this task?

1. Review your production asset checklist to assess how well your assets are aligned with your storyboard and layout drawings. Are there any assets missing? Are all assets accounted for at each stage of production? 
2. Share your production asset checklist to Forum:
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 7: Asset Checklist’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your checklist using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
4. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

With your production assets organised and tracked, you're now ready to move on to the next stage: Layout. In this section, you’ll focus on organising and laying out your main environment using proxy geometry, setting the foundation for the final animation.

Tip

Refine your timing: Start with your animatic’s frame count

Refer to your animatic, for which you should have established roughly how long each of the shots in your sequence are. Use this frame count as a starting point for your shots and tweak them as you need to once you have them in Maya.

Case Study

Scene elements for The Body in the Library

For The Body in the Library project, as many elements as possible will be saved in separate files:

Bookcases – Likely two or three slightly different bookcases will be created to duplicate around the room, creating the illusion of many different books and book arrangements.

• Gramophone
• Newspaper  
• Hero Chair – This chair will likely be used to create the two large sofas in the room.
• Painting
• Long Table and Small Table
• Rug – Possibly two different rugs will be needed.
• Several smaller objet d'art that will need to be created as they are thought of.

Once the modelling and texturing process for each element is completed, elements can then be referenced back into the main environment. This will help keep the file size down and prevent crashing.

Important

Save frequently to protect your progress!

From this point on, you will need to form the habit of saving often and creating incremental versions of each of your environment elements, which will help to cut down on the amount of lost work in the event of a system crash!

Practice

Task 8: Create Maya scene files and proxy geometry

Creating a well-organised Maya scene with proxy geometry is crucial in establishing the foundation for your project. By laying out your main environment with basic stand-ins for your final models, you ensure that the scene composition and camera setups align with your storyboard and animatic. This early stage of rough layout allows you to visualise and plan each shot effectively, helping to avoid potential issues later in the production process.

What tools or resources do you need for this task?

Make sure you have access to:

• Autodesk Maya
• Your storyboards and animatic to guide the layout of your scene and the positioning of your cameras
• Your production schedule.

What steps should you take to complete this task?

8 Hours

Set aside up to eight hours to complete steps 3-9 below. Remember to save your work as you go when using Autodesk Maya.

1. Revisit the 3.7.3 Create Asset – Isometric Room subtopic in the previous Digital Production module if you need to a refresher on creating and working with referenced assets in an environment project file.   
2. Watch Geoff’s video above, carefully observing his rough environment layout for The Body in the Library and the export process to prepare for modelling later.
3. Review Your Project Schedule: Refer to your project schedule to allocate sufficient time for creating the Maya scene files using proxy geometry. Ensure this task is included in your schedule.
4. Create a New Maya Scene: Create a new Maya scene file for each shot in your sequence. Save these files with clear and descriptive names related to the shot or scene.
5. Lay Out the Main Environment: Start laying out the main environment for each scene by placing proxy geometry. These are basic, rough shapes that act as placeholders for the final models. Focus on positioning these elements according to your storyboard and animatic.
6. Create and Set Up Shot Cameras: With the proxy geometry in place, create and set up a shot camera for each scene. Ensure the camera is positioned to match the composition outlined in your storyboard. Turn on the Resolution Gate for the camera to see the size of the image frame superimposed over the camera's field of view.
7. Organise Your Scene: As you add elements and cameras, make sure to name everything meaningfully. This organization will keep your file clean and make it easier to manage as your project progresses.
8. Animate Camera Movements (if required): If any camera movements are required, create the animation now. Test the movements by scrubbing through the timeline to ensure the shot works as intended. Adjust the proxy geometry or camera placement as needed to ensure the shot aligns with your storyboard.
9. Export Elements: Once satisfied with the environment layout and camera setup, export each element into its own separate Maya (.mb) file . This step ensures that the modelling, UV mapping, texturing, and other processes are handled in individual files, making your workflow more efficient.
    

What should you do after completing this task?

1. Do the camera placements and rough layouts align with your storyboard and animatic? Did any adjustments improve the shot? How will this preparation help with the next steps in production?
2. Share screenshots (.jpg) of your project i.e. each camera or shot in your sequence to Forum:  
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 8: Scene files’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your files using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
4. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

With the foundation of your scene established, you are now ready to move on to the next major production phase: Asset Creation. This phase involves detailed processes such as modelling, UV mapping, texturing, animating, and lighting each element required for your final project sequence. The organisation and preparation you’ve done in this task will support a smooth transition into this largest component of the production stage.

Explore

Modelling guidelines

Remember the basic guidelines of modelling:

• Try using the fewest vertices possible to create the object’s shape.
• Evenly space your edge loops.
• Isolate any detail in your model so that the loops do not run all the way around your model's geometry.
• Use multiple camera angles to check your model’s edge flow and curvature. Looking for any non-planar faces, etc.

To refresh your knowledge on these modelling guidelines, refer to the Modelling subtopic in the previous Digital Production module:

3. Digital Production > 3.3 Modelling > 3.3.2 Hard Surface Modelling > Guidelines

Case Study

Adding value and interest to modelling elements for The Body in the Library

In this first image below, you can see the proxy geometry for the low table on which the tray, wine bottle, wine glass and some other objet d’art will be placed.

The table appears ordinary and dull, but it doesn't have to be that way after a bit of research into different furniture styles that might fit the setting of The Body in the Library,

Swipe to the next image to see what the low table will look like after the modelling process is complete.

The table's function is the same as before, and the table itself is roughly the same size, but the overall form and interest value of the table have improved substantially.

Try to add more value and interest to models wherever you can!

Explore

Creating new UVs

To refresh your knowledge on how to create a new UV layout for a model, refer again to the Modelling subtopic in the Digital Production module:

3. Digital Production > 3.3 Modelling > 3.3.8 Creating New UVs Process > Steps for creating a new UV

Tip

Master Your workflow: Finish modelling before texturing for smoother progress

It is a good idea to complete modelling for all your required models before starting any texturing work. This enables getting into a rhythm and flow, which can help make the process easier.

Practice

Task 9: Model and UV your project assets  

As you know, modelling and UV mapping are critical steps to bringing your project assets to life. By carefully creating detailed models and accurate UV layouts, you set the foundation for your project’s texturing and rendering stages. This task allows you to transform your rough proxy geometry into polished assets that align with the artistic vision of your sequence, ensuring that key elements stand out and contribute to the overall narrative.

What tools or resources do you need for this task?

Make sure you have access to:

• Autodesk Maya
• Maya project files and folders to save and manage your models and UV layouts
• Your proxy geometry files to serve as the starting point for detailed modelling
• Your visual look reference document to help ensure consistency with the desired aesthetic of your project
• Your production schedule
• Your production asset checklist.

What steps should you take to complete this task?

Use the time allocated in your project schedule for this task. Remember to save your work as you go when using Autodesk Maya.

1. Revisit the 3.3 Modelling topic in the previous Digital Production module if you need to review how to model and create UV layouts. 
2. Watch Geoff’s video above, carefully observing his modelling of the environment for The Body in the Library.
3. Review Your Project Schedule: Refer to your project schedule to allocate sufficient time for modelling and UV mapping your assets. Ensure this task is included in your schedule.
4. Review Your Production Asset Checklist: Identify the models required for each shot in your sequence.
5. Start Modelling from Proxy Geometry: 
   1. Using your existing proxy geometry as a references, begin modelling each asset. Focus on the key elements that are most important to your story or are prominently featured in the camera's perspective. For assets closer to the camera, invest more time in adding detail to the geometry. For those further away, less detail may be necessary. 
   2. As you model, refer back to the visual look reference document you created during the style activity. Incorporate any relevant stylistic observations into your modeling to ensure consistency with the overall visual direction of your project. This will help maintain the desired aesthetic and thematic cohesion in your sequence.
6. Refine Your Models: As you model, remember that the proxy geometry serves only as a rough guide. Feel free to adjust shapes and forms to better suit the needs of your scene and story.
7. Update Your Production Asset Checklist: As you work on your modelling and UV mapping, regularly update your production asset checklist. Note the assets you’ve completed, any modifications made, and any additional assets that may be needed.
8. Optimise for Efficiency: Be mindful of polygon count and overall scene complexity, especially for assets that will not be prominently displayed. Efficient modelling will help maintain system performance and reduce render times.
9. Create UV Layouts: Once the modelling is complete, proceed to create UV layouts for each asset. Ensure that the UVs are laid out cleanly and logically to facilitate the texturing process in the next phase. Pay special attention to avoiding stretching or overlapping UVs, as this will impact the quality of your textures.
10. Organise and Save Your Work: Save your completed models and UV layouts in their respective Maya files. Maintain an organised file structure to keep your workflow efficient and manageable.
     

What should you do after completing this task?

1. Take a moment to review your models and UV layouts. Are the key elements detailed enough to support your story? Do the UVs adequately prepare the assets for texturing?
2. Select the models and UV layout files that you are most proud of or would like further feedback on and share screenshots of them to Forum:
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 9: Model/UV’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your files using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Adjust your project schedule based on the time taken for this task and any new insights gained. Ensure future tasks are scheduled realistically. 
4. Revisit your production asset checklist to ensure it accurately reflects the current state of your assets and identify any gaps or additional needs. 
5. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
6. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

With your models and UVs complete, you’re ready to move on to the Texturing phase. In this next step, you will apply materials and textures to your models, bringing them to life with colour, surface details, and realism. Your well-prepared UV layouts will ensure that this process is smooth and effective, leading to visually cohesive assets in your final project sequence.

Explore

Bringing life to your models with texturing

During this step, use any of the texturing processes you learned during the Digital Production module when you practised creating textures for your models, including Maya materials, Arnold materials, and Fresnel materials.

To revisit that information, follow these breadcrumbs:

3. Digital Production > 3.4 Texturing

Case Study

Achieving consistency: Iterating textures to align with visual style of The Body in the Library

1. Identifying the problem: Discrepancies in texture integration

After starting to work on the textures for the project, a common issue was encountered where props appeared visually appealing in isolation but differed significantly from the animator’s project vision when integrated into the main environment:

_{Props (e.g. the Gramophone) appear too realistic in the first render.}

This problem highlighted the challenge of maintaining consistency with the overall project vision and ensuring all elements work together cohesively within the same frame. It’s always easy to forget about a sequence’s ‘big picture’ – how will everything look together in the same frame?  

2. Identifying the issue behind the problem: Realism vs. Stylisation

The primary issue identified was that the elements began to look too realistic, diverging from the intended stylised and painterly look. This experience illustrates that even completed work needs to be subject to testing and iteration before the final look is established and locked down.

3. Learning from iteration: Testing and refining textures

The key lesson from this case study stage is the importance of examining test renders and adjusting them to align with the original vision for the project. Specifically, it was noted that the highly reflective and shiny surfaces on props such as the Gramophone, Wine Bottle, Glass, and Tray were too clean and looked overly CG. It was also observed that simplifying textures and adopting a more painterly approach was necessary, while textures for the bookcases and books, which were simpler, were more appropriate.

4. Adjusting the approach: Simplifying and styling materials

Moving forward, the plan involves revisiting and adjusting all highly polished and reflective models to tone down their surfaces. Additionally, painting over the colour maps to achieve a more stylised look, especially for prominent objects like the Gramophone, is crucial. Regularly checking the consistency between individual pieces and the environment will help maintain the overall style choice.

5. Implementing solutions: Revisiting and reworking textures

After reworking the materials and textures, the render should align better with the rest of the environment. Continuous adjustments and reviews are essential to ensure the entire frame remains consistent with the chosen visual style.

Practice

Task 10: Create textures for your project assets  

Texturing adds depth and realism to your 3D models, enhancing the overall visual quality of your project. By developing textures that align with the visual look framework you established during pre-production, you ensure consistency and cohesion throughout your sequence. This task is crucial for creating assets that not only fit well within your scenes but also contribute effectively to the storytelling and visual impact of your project.

What tools or resources do you need for this task?

Make sure you have access to:

• Autodesk Maya
• Maya project files and folders to save and manage your textures
• Your visual look reference document
• Your production schedule
• Your production asset checklist. 

What steps should you take to complete this task?

Use the time allocated in your project schedule for this task. Remember to save your work as you go when using Autodesk Maya.

1. Revisit the 3.4 Texturing topic in the previous Digital Production module if you need to review how to texture your models. 
2. Watch Geoff’s video above, observing the textures he used in The Body in the Library and some of the texturing problems he identified and solved.
3. Review Your Project Schedule: Refer to your project schedule to allocate sufficient time for modelling and UV mapping your assets. Ensure this task is included in your schedule.
4. Review Your Visual Look Reference Document: Revisit the visual look framework you established earlier. Ensure your texturing aligns with the visual style and mood you’ve defined based on observation and examples from other animated projects. 
5. Prepare Your UV Maps: Verify that your UV maps are clean and properly laid out. Ensure there are no overlapping or stretched areas, as this will impact the quality of your textures.
6. Create Base Textures: Begin by creating base colour maps for each asset. Use texturing software like Photoshop, Substance Painter, or Mari to design these textures. Focus on maintaining the consistency of colour schemes and surface details as outlined in your look development framework.
7. Refine Textures in Photoshop: After applying base textures, refine them using Photoshop or similar tools. Add additional details such as dirt, wear, or texture variations to enhance realism and visual interest.
8. Apply and Adjust Textures in Maya: Import and apply the textures to your models in Maya. Adjust material and shader settings as needed to achieve the desired look. Experiment with different texture maps, such as bump or normal maps, to add depth and detail to your surfaces.
9. Update Your Production Asset Checklist: As you work on texturing, update your production asset checklist to reflect the status of each asset. Document the textures you’ve created, note any issues or additional textures needed, and track your progress.
10. Review the Entire Frame: Once textures are applied, review the model and texture in your main project file to assess how well the textures integrate with the scene. Look for any elements that stand out or do not fit cohesively and make necessary adjustments to ensure visual harmony.
11. Organise and Save Your Work: Save your texture files and maintain an organised folder structure. Maintain an organised file structure to keep your workflow efficient and manageable.

What should you do after completing this task?

1. How well do your textures align with the visual look development framework you established? Are there any areas where the textures could be refined further to enhance the overall visual quality? Do the textures integrate seamlessly with the rest of the scene, or are there any elements that look out of place? 
2. Select the texturing files that you are most proud of or would like further feedback on and share screenshots of them to Forum:
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 10: Textures’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your files using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Adjust your project schedule based on the time taken for this task and any new insights gained. Ensure future tasks are scheduled realistically. 
4. Revisit your production asset checklist to ensure it accurately reflects the current state of your assets and identify any gaps or additional needs. 
5. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
6. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

With your textures now in place, it's time to dive into the Animation stage, where you'll infuse your models with dynamic movement and energy, making your sequence truly captivating. Get ready to see your hard work take shape and transform into an engaging, animated sequence!

Tip

Streamline your workflow: Prioritise, Lock, and Simplify

Prioritise: If you have not yet completed your camera movement animation, it is advisable to complete this task first.

Lock: Once you finalise your camera animation, lock the cameras to prevent accidental changes-  you can then add any additional animation as required for your sequence.

Simplify: To avoid consuming all your remaining production time, it is advisable to keep animation movements simple. Remember, you still have lighting, rendering, and the post-production stage to complete before the submission due date for your final project sequence!

Practice

Task 11: Complete any animation required for your project

Animation breathes life into your static models, allowing them to move and interact in ways that tell your story effectively. Completing the animation for your project involves fine-tuning camera movements and actions, ensuring that your sequence flows seamlessly and aligns with your vision. This task is crucial for creating a dynamic and engaging final product that captivates your audience.

What tools or resources do you need for this task?

Make sure you have access to:

• Autodesk Maya
• Maya project files and folders to save and manage your textures
• Your storyboard and animatic to ensure that animations align with the planned sequence and timing.
• Your production schedule
• Your production asset checklist.

What steps should you take to complete this task?

Use the time allocated in your project schedule for this task. Remember to save your work as you go when using Autodesk Maya.

1. Revisit the Key Animation module if you need to review how to create animation sequences, applying principles of movement, timing, design, and presentation  . 
2. Watch Geoff’s videos above, observing how he animates, cleans up, and fine tunes elements in The Body in the Library
3. Review Your Project Schedule: Refer to your project schedule to allocate sufficient time for animating your assets. Ensure this task is included in your schedule.
4. Establish Camera Animation: Begin by animating the camera to determine the shot composition, duration, and pace. This step is essential for setting up the visual narrative and ensuring that each shot captures the desired elements effectively.
5. Prioritise Camera Animation: If you have not yet completed your camera animation, focus on this task first. The camera movements are foundational and will guide the overall timing and framing of your sequence.
6. Lock the Cameras: Once the camera animation is finalised, lock the cameras to prevent any accidental changes. This will allow you to focus on animating other elements without worrying about unintended modifications to the camera angles.
7. Simplify Your Animation: To optimise your remaining production time, keep your animation movements simple. Complex animations can be time-consuming and may not always add significant value. Prioritise clear and effective animation over intricate details.
8. Create and Clean Up Rough Animation: Start by creating rough animation for all required elements in your sequence. Once the rough animation is in place, refine and clean up the animation to ensure smooth and polished movements.
9. Update Your Production Asset Checklist: As you complete each animation task, update your production asset checklist. Document the progress, note any remaining animation requirements, and track your overall progress.
10. Review the Entire Sequence: After completing and refining your animation, review the entire sequence to ensure that all elements work together harmoniously. Make any final adjustments needed to enhance the flow and coherence of your animation.
11. Save and Organise Your Files: Save your animation files and maintain an organised folder structure. Maintain an organised file structure to keep your workflow efficient and manageable.
     

What should you do after completing this task?

1. How well does your camera animation support the overall composition and pacing of your shots? Are the movements in your animation clear and effective, or are there areas that need further refinement? Does the animation fit seamlessly within the sequence, and does it contribute to the narrative flow?
2. Select the animation files that you are most proud of or would like further feedback on and share screenshots of them to Forum:
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 11: Animation’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your files using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Adjust your project schedule based on the time taken for this task and any new insights gained. Ensure future tasks are scheduled realistically. 
4. Revisit your production asset checklist to ensure it accurately reflects the current state of your assets and identify any gaps or additional needs. 
5. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
6. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

Once your animation is complete, prepare to set the mood and refine the look of your sequence through strategic lighting! This next stage will add depth and atmosphere to your scenes, highlighting your work and enhancing the visual impact of your project. 

Tip

Advantages of a single environment

Having one environment provides you with significant benefits when creating lighting for a sequence:

• You only need to light the environment once.  
• It also allows the reuse of the same lighting setup for each shot, with minor adjustments where needed.
• It makes it easier to maintain consistent lighting from shot to shot.

Explore

Light your way

For more information about lighting and if you need to refresh your knowledge on direct lighting workflow, refer back to the Lighting and Rendering topic in the Digital Production module, including the video playlist on using the direct lighting workflow using Maya lights. This will help you reinforce your understanding and ensure consistency in your work.

3. Digital Production > 3.5 Lighting and Rendering > 3.5.6 Direct Lighting > Light Room

Practice

Task 12: Light your project’s shots

Lighting plays a pivotal role in conveying the mood and atmosphere of your project. Thoughtful lighting design enhances the visual storytelling by emphasising key elements and creating depth and contrast. By effectively lighting your project’s shots, you ensure that the visuals align with your narrative intent and maintain consistency with the established look of your project sequence.

What tools or resources do you need for this task?

Make sure you have access to:

• Autodesk Maya
• Maya project files and folders to save and manage your work
• Lighting references to ensure that lighting aligns with your visual look 
• Your production schedule
• Your production asset checklist.

What steps should you take to complete this task?

Use the time allocated in your project schedule for this task. Remember to save your work as you go when using Autodesk Maya.

1. Revisit the 3.5 Lighting and Rendering topic in the previous Digital Production module if you need to review how to work with lighting to make your scenes appear more realistic by simulating natural light sources, shadows, and reflections. 
2. Review Your Project Schedule: Refer to your project schedule to allocate sufficient time for lighting your assets. Ensure this task is included in your schedule.
3. Review Lighting References: Begin by reviewing the lighting references and examples you’ve collected. Use these references to guide your decisions and ensure your lighting is consistent with the overall visual style of your project.
4. Select a Lighting Approach: Decide on a lighting approach that best fits the mood and aesthetic of your shot. Choose either 
   1. a more controlled method (i.e. direct lighting, in which Individually placed lights simulate a lighting scheme allowing greater control over the overall composition and lighting scheme – see 3.5.6 Direct Lighting Workflow subtopic), or
   2. a softer, diffused method (i.e. indirect lighting, using a HDRI image to generate light captured from real-world sources – see 3.5.3 Create and Set Up an Image-Based Light subtopic).
5. Set Up Lighting: Begin setting up your lighting within the scene. Consider how each light source will contribute to the overall mood and clarity of your sequence.
6. Adjust Render Settings: Optimise your render settings to achieve a balance between quality and efficiency. This includes adjusting resolution, sampling, and shadows to suit your chosen lighting method.
7. Fine-Tune Lighting: Refine the intensity, color, and placement of your lights to enhance the scene. Focus on how the lighting interacts with textures and contributes to the narrative and visual style.
8. Test Render: Perform test renders to evaluate the lighting. Check for any inconsistencies or areas where the lighting needs improvement. Make necessary adjustments to achieve the desired effect.
9. Break Down Lighting Tasks: Break down the lighting process into manageable tasks. Focus on one element or area at a time, ensuring each is lit effectively before moving on.
10. Update Your Production Asset Checklist: As you complete the lighting for each shot, update your production asset checklist. Note which shots have been fully lit and any additional lighting tasks that may be needed.
11. Final Lighting Review: Once satisfied with your lighting setup, conduct a final review. Ensure that the lighting across all shots is cohesive and consistent with your project’s overall look.
     

What should you do after completing this task?

1. Have you achieved the desired mood and atmosphere in each shot? Are there any areas where the lighting could be improved for better visual impact? Did the lighting align with your visual look development framework?
2. Select the lighting renders that you are most proud of or would like further feedback on and share screenshots of them to Forum:
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 12: Lighting’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your files using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Adjust your project schedule based on the time taken for this task and any new insights gained. Ensure future tasks are scheduled realistically. 
4. Revisit your production asset checklist to ensure it accurately reflects the current state of your assets and identify any gaps or additional needs. 
5. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
6. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

With the lighting perfected, you're ready to move on to Rendering. This stage will involve bringing together all elements of your project into the final frames, ensuring that everything from textures to animation looks polished and professional. Dive into rendering and bring your project closer to completion!

Important

Avoid costly rendering delays

When rendering a shot, it is important to check the setup thoroughly before sending the shot to render. Your renders will likely take from a few hours to as long as a few days to complete, so make sure that you check the following:

• The render camera is correct for each shot.  
• The correct number of frames is set for each shot.  
• The correct geometry and lights are included in your render passes.
• All your textures are present and correct.
• You have set up all the render passes you need for post-production.

Tip

Stay present during renders

When running renders, it is a good idea to be present and available while they are running. The rendering process can sometimes go wrong and crash or lock up your computer system, especially after a machine has been rendering for a long time.

Explore

A rendering refresher

For more information about rendering and to refresh your knowledge on setting up render passes, refer back to the Lighting and Rendering topic in the Digital Production module. This will help keep your work on point.

3. Digital Production > 3.5 Lighting and Rendering > 3.5.3 Create and set up an image-based light > How to set up render layers

Practice

Task 13: Render your project’s shots  

Rendering is the final production step in creating the visual elements of your project, where all your work in modelling, texturing, lighting, and animation comes together. This task is crucial because the quality of your renders will directly impact the final look and feel of your project sequence. Taking the time to carefully set up and check each render ensures that your efforts in the production stage are reflected accurately in the final output.

What tools or resources do you need for this task?

Make sure you have access to:

• Autodesk Maya
• Maya project files and folders to save and manage your renders
• Sufficient storage: Rendering produces large files, especially with formats like .EXR. Ensure you have enough storage space to accommodate these files.
• Your production schedule
• Your production asset checklist.

What steps should you take to complete this task?

Use the time allocated in your project schedule for this task. Remember to save your work as you go when using Autodesk Maya and to check back regularly with your render.  

1. Revisit the Lighting and Rendering subtopic in the previous Digital Production module if you need to review how to produce high quality and realistic renders. 
2. Review Your Project Schedule: Refer to your project schedule to allocate sufficient time for rendering your shots. Ensure this task is included in your schedule.
3. Prepare Your Render Setup:
   1. Ensure that your render camera is correctly assigned for each shot.
   2. Double-check the frame range for each shot to ensure the correct number of frames are set to render.
   3. Confirm that the appropriate geometry and lights are included in your render passes.
   4. Verify that all textures are present and applied correctly to your assets.
   5. Set up all necessary render passes, such as diffuse, occlusion, and masking passes, for post-production compositing.
4. Choose the Correct File Type: Select a file format that supports an alpha channel, such as .iff, .png , or .EXR, which is the industry standard for visual effects and compositing and allows you to store multiple information channels in a single file, making it ideal for complex projects.
5. Test Your Render Settings: 
   1. Test different render settings before committing to a final render. Focus on the quality settings in the render engine (such as Arnold) by adjusting samples in both the render settings and for each light source.
   2. Note down the settings used and the time taken for each test render. Compare the results to find the optimal balance between quality and render time.
6. Monitor Your Renders:
   1. Begin rendering your shots and stay present as much as possible during the process. Rendering can be resource-intensive, and it is essential to be available to troubleshoot any issues, such as crashes or slowdowns.
   2. Be prepared to allocate extra time in your schedule to fix any problems that arise during the rendering process.
7. Update Your Production Asset Checklist: As you progress with rendering each shot, update your production asset checklist to reflect the completion of renders. Note any issues encountered and how they were resolved to inform future projects.
    

What should you do after completing this task?

1. Have all the renders met the visual quality you aimed for? Were there any challenges during the rendering process that could have been mitigated with better preparation? What could be improved next time to streamline the process?
2. Adjust your project schedule based on the time taken for this task and any new insights gained. Ensure future tasks are scheduled realistically. 
3. Revisit your production asset checklist to ensure it accurately reflects the current state of your assets and identify any gaps or additional needs. 
4. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
5. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

With your shots fully rendered, you're now just a step away from seeing your project come together in all its glory. Get ready to move into Post-production, where you'll add the final touches and polish your work to perfection!

Case Study

Following the compositing workflow used with The Body in the Library

When compositing, stages are worked through slowly, building up the shot. This method helps keep things organised and prevents confusion. The steps followed to composite The Body in the Library shots were:

1. Importing media
2. Arranging the passes on the timeline
3. Revealing and using the depth information
4. Creating any keyframes required for the shot
5. Masking
6. Colour grading
7. Final check and adjustments/fixes
8. Export setup and render.

Each step is detailed in this topic, with video demonstrations at the end of each corresponding section for your reference and to help you composite your shots. You can also come back here at any point to access the videos within this Compositing workflow playlist for easy reference:

You can also view and download the case study’s Adobe After Effects project file to explore the compositing techniques and settings used for The Body in the Library.  

Important

Ensure consistent timing and avoid speed errors

Check the frame rate for each image sequence and ensure that they are all set to 25 fps.  

Suppose the sequences remain at 30 fps? In that case, the animation will look faster than you originally intended, and the shot will be shorter in duration.

Practice

Unleash your creativity: Experiment with effects to craft unique colour grading looks

Experiment with different effects and effect combinations to create your own colour grading effects. Tailor your approach to achieve a great look for your sequence!

Watch Geoff (14:45m) use Adobe After Effects to create a colour grade.

Practice

Task 14: Composite your project’s shots

Compositing marks the beginning of the post-production stage and is where all the raw data from your rendering work comes to life. This step involves using Adobe After Effects to combine and refine your rendered passes, enhancing your shots’ visual quality and coherence. By expertly layering and blending these elements, you can create a polished, professional final product that aligns with your project's vision.

What tools or resources do you need for this task?

Make sure you have access   to:

• Adobe After Effects
• All rendered passes from previous production stage.
• Reference materials: Any visual look development references that guide the style of your project
• Your production schedule
• Your production asset checklist.

What steps should you take to complete this task?

Use the time allocated in your project schedule for this task. Remember to save your work as you go when using Adobe After Effects.

1. Revisit the Foundations module’s Compositing topic if you need to review how to combine your rendered passes. 
2. Watch Geoff’s playlist at the start of the Compositing section, carefully observing how he uses Adobe After Effects to progress through the compositing workflow.
3. Review Your Project Schedule: Refer to your project schedule to allocate sufficient time for compositing your rendered passes . Ensure this task is included in your schedule.
4. Import Media: Begin by importing all your rendered passes into Adobe After Effects. Verify that each file is correctly linked and that no passes are missing.
5. Arrange Passes on the Timeline: Organise your passes on the timeline in the correct order to achieve the desired visual effect. Proper layering is essential for a seamless and professional look.
6. Use Depth Information: If depth passes are available, reveal and use them to add depth-of-field effects or enhance the three-dimensionality of your shots.
7. Create Keyframes: Set up keyframes as needed to animate elements within your shots. Adjust layer properties or effects over time to achieve the desired motion and transitions.
8. Apply Masking: Use masking to isolate or highlight specific areas of your shot. This technique is useful for blending elements smoothly or concealing unwanted details.
9. Colour Grading: Apply colour grading to unify the look of your shots. Ensure consistency in colour tones and achieve a cohesive aesthetic throughout your project.
10. Final Check and Adjustments: Perform a thorough review of your composition. Make final adjustments to ensure that all elements integrate well and that the final output meets your quality standards.
11. Export Setup and Render: Configure your export settings, selecting the appropriate file format and resolution. Render your composite to produce the final version of your project.
     

What should you do after completing this task?

1. How effectively did compositing integrate the different render passes? Were there any challenges in achieving a unified look across all shots? Did the final composition align with your project's aesthetic goals? 
2. Select the composites that you are most proud of or would like further feedback on and share screenshots or exported sequences (.mp4) of it to Forum:
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 14: Composite’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your files using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Adjust your project schedule based on the time taken for this task and any new insights gained. Ensure future tasks are scheduled realistically. 
4. Revisit your production asset checklist to ensure it accurately reflects the current state of your assets and identify any gaps or additional needs. 
5. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
6. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

With your shots composited and refined, you’re ready to move on to the editing phase. Prepare to bring your project sequence closer to its stunning final form!

Case Study

Creating a cinematic feel: The Body in the Library

The animator’s goal was to achieve the feeling of a title sequence or trailer for a longer film or show. Transitions between shots, several pieces of onscreen text, and a final title at the end of the sequence were added to the The Body in the Library during the edit stage.

Adobe After Effects or Da Vinci Resolve are typically used for sequence editing purposes:

•  After Effects is preferred for projects with a few short shots due to its keyframing system.
• Da Vinci Resolve is more suitable for longer projects with extensive footage due to its superior handling and organization capabilities.

The Body in the Library was edited with Adobe After Effects, using the recommended methods outlined below.  

Case Study

Creating text layers: The Body in the Library

Three sections were created where onscreen text appears in between shots.  

You can use the Text tool in After Effects to create text layers in your project. You can find the Text tool on the toolbar at the top of the screen:

Case Study

Creating a title sequence: The Body in the Library

The final addition to the edit was a title sequence. Photoshop was used to create custom text layers with two different fonts from dafont. Each word was saved as a separate .png file with an alpha channel.  

The word images were then arranged on the timeline with their beginnings offset so that the words did not appear simultaneously, creating a more interesting sequence.

Additional effects

A quick animation of drips from the word "Body" was also created. These were made in Toon Boom in the same way as the other animated effects in the project.

_{The title word “Body” with animated drips.}

Final adjustments

With the main edit completed, the transitions' timing and the titles' appearance and disappearance were adjusted and refined, and the results were viewed using the preview buttons.

Practice

Task 15: Edit your sequence

Editing is where your animated sequence takes its final form before the optional final post-production step of adding sound. Editing allows you to arrange your shots, create smooth transitions, and add titles or text elements that enhance your storytelling. By meticulously fine-tuning each element, you craft a sequence that's not only seamless but also visually captivating, ensuring your project sequence stands out with a polished, professional finish.

What tools or resources do you need for this task?

Make sure you have access to:

• Adobe After Effects
• Your: 
  • composited rendered footage
  • storyboard and animatic
  • production schedule
  • production asset checklist.
• Reference materials: Any visual references or visual look development materials that guide the style of your project

What steps should you take to complete this task?

Use the time allocated in your project schedule for this task. Remember to save your work as you go when using Adobe After Effects.

1. Review Your Project Schedule: Refer to your project schedule to allocate sufficient time for editing your sequence. Ensure this task is included in your schedule.
2. Create a New Composition: Start by creating a new composition in Adobe After Effects for your entire sequence. Set the frame rate to 25 fps to maintain consistency across all your footage.
3. Import and Arrange Footage: Import all your rendered and composited  shots into the composition and perform a rough arrangement on the timeline. Use the preview buttons to play through your rough cut and assess the overall flow of your sequence.
4. Add Transitions:
   1. Basic Cuts: Begin by making basic cuts between shots to establish the sequence flow.
   2. Fade-in and Fade-out Transitions: Apply fade-in and fade-out transitions by creating keyframes on the opacity channel for each layer, ensuring a smooth visual transition between shots.
   3. Cross-dissolve Transitions: For a seamless transition between two shots, overlap the clips on the timeline and use keyframes to create a cross-dissolve effect.
5. Incorporate Titles and Onscreen Text:
   1. Creating Text Layers: Use the Text tool to add titles, credits, or other onscreen text that your project requires. Ensure these elements align with your sequence’s style and narrative.
   2. Adjusting Text Layers: Fine-tune the text layers by adjusting their position, duration, and appearance. Consider adding backgrounds or effects to make the text stand out and enhance readability.
6. Final Review: Once your transitions and text elements are in place, conduct a final review of your sequence. Ensure that each transition is smooth, the timing is perfect, and the titles contribute positively to the overall presentation.
7. Update Your Production Asset Checklist: As you finalize the editing process, update your production asset checklist to account for the added transitions, titles, and any other adjustments made during this stage.
    

What should you do after completing this task?

1. How well do your transitions, titles, and text elements enhance your sequence? Are there opportunities to improve the pacing or visual impact?
2. Select any work that you are most proud of or would like further feedback on and share screenshots or exported sequences (.mp4) of it to Forum:
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 15: Editing’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your files using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Adjust your project schedule based on the time taken for this task and any new insights gained. Ensure future tasks are scheduled realistically. 
4. Revisit your production asset checklist to ensure it accurately reflects the current state of your assets and identify any gaps or additional needs. 
5. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
6. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

With the editing completed, your sequence is almost ready for its final presentation. The final post-production task involves adding sound design (optional) to bring your project sequence to life with audio elements, ensuring a more immersive experience.

Explore

Use online sound libraries to create your sound

You can access several libraries of sound online:

• Adobe Audition: With an Adobe subscription, access the Adobe Audition sound collections, which contain many high-quality sound effects arranged into several convenient topics. Access here.
• YouTube Creator Studio: If you have a YouTube channel, you can access both music and sound for your projects through the YouTube Creator Studio feature.
• FreeSound.org: A database with various sound effects, audio samples, and recordings, all free. Access here.
• Epidemic Sound: While not free, Epidemic Sound offers an enormous range of quality music and sound effects at a reasonable subscription price. Access here.
• Shutterstock: Another paid option, Shutterstock provides music and sound effect libraries, available for individual download or through a subscription-based option. To find out how to access the Shutterstock Music Library, use this access information sheet.

Case Study

A quiet prelude to chaos: The Body in the Library

Very few background sounds were used in The Body in the Library.

The whole idea of the sequence is that it takes place early in the morning before anyone knows what has occurred during the previous night – it’s the calm before the storm.  

Just pops and crackles from the gramophone record turning were used to evoke this.

Case Study

Crafting mood through minimalism: The Body in the Library

The intention was to create a specific mood without story-based sounds: these were omitted to maintain the desired feeling evoked by the sound design (i.e. the calm before the storm).

Case Study

Enhancing drama with disjointed notes and crescendos: The Body in the Library

Several customised pieces of music were performed specifically to fit the sequence.  

One piece was played normally until a certain point where the music was intended to start sounding disjointed. Another section included a crescendo to build up the intensity for the sequence’s climax.

To integrate these recordings into the sequence:

• They were first brought into Da Vinci, and the Fairlight audio tools were used to change the music to sound like it was playing from a vintage gramophone.
• The processed audio in Adobe After Effects were used, and keyframes were added to the audio levels to control the volume dynamically (i.e. the music is quiet at the beginning and gets louder as the camera gets closer to the gramophone).

_{Processed audio in Adobe After Effects timeline.}

Practice

Task 16: Add music and sound to your sequence  

Enhancing the visual impact of your animation with a carefully crafted soundscape can elevate your project to a professional level. Sound design is more than just adding noise—it's about creating an atmosphere that complements the visuals and enhances the narrative. Whether it's background ambiance, story-driven sound effects, or music that heightens the emotional tone, integrating sound into your sequence can transform your work from good to exceptional.

What tools or resources do you need for this task?

Make sure you have access to:

• Adobe After Effects
• Online sound libraries (e.g., Freesound, Adobe Audition, or Shutterstock) - for sourcing pre-recorded sound effects and music
• Sound recording equipment (optional) - for creating custom sound effects or recording original music.
• Headphones or speakers - to accurately monitor and refine the sound levels and quality
• A quiet environment - if recording you own sounds to avoid background noise interference
• Your production schedule
• Your production asset checklist.

What steps should you take to complete this task?

Use the time allocated in your project schedule for this task. Remember to save your work as you go when using Adobe After Effects.

1. Create or Source Sound Effects:
   1. Create Your Own Sounds: If time allows, consider recording your own sound effects or music to give your project a unique edge. Use a microphone and sound editing software to capture high-quality audio.
   2. Download Online Resources: Alternatively, explore online libraries for royalty-free sound effects and music that fit your project’s theme. Ensure the audio files are in a compatible format with Adobe After Effects.
2. Add Background Environment Sounds:
   1. Import your chosen background sounds into Adobe After Effects.
   2. Layer these sounds in the timeline to create a continuous ambiance that fits the setting of your sequence.
   3. Adjust the volume levels so that these sounds provide subtle atmosphere without overpowering the main audio elements.
3. Sync Story-Based Sounds:
   1. Identify key moments in your sequence that require synced sound effects, such as footsteps, doors closing, or vehicles moving.
   2. Place these sounds on the timeline and align them precisely with the corresponding visual actions.
   3. Fine-tune the timing and volume to ensure seamless integration with the visuals.
4. Incorporate Music:
   1. Choose a music track that complements the mood and pacing of your sequence.
   2. Import the track into your project and position it on the timeline.
   3. Use keyframes to control the music's volume, fading in or out as necessary to match the flow of the sequence.
5. Refine the Soundscape:
   1. Preview the entire sequence multiple times, listening for any elements that need adjustment.
   2. Balance the audio levels between background sounds, story-based effects, and music to create a cohesive soundscape.
   3. Make final tweaks to ensure that the sound enhances the visual storytelling without overwhelming it.
       

What should you do after completing this task?

1. How effectively does the sound design enhance the mood and atmosphere of your sequence? What specific challenges did you face in synchronising sound with visual elements, and how did you address them?
2. Select any work that you are most proud of or would like further feedback on and share audio (.mp3 or .wav) or exported sequences (.mp4) of it to Forum:
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 16: Sound’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your files using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Adjust your project schedule based on the time taken for this task and any new insights gained. Ensure future tasks are scheduled realistically. 
4. Revisit your production asset checklist to ensure it accurately reflects the current state of your assets and identify any gaps or additional needs. 
5. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
6. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

With your soundscape finely tuned, your project is nearly complete. The final step in your journey is to step back and reflect on your final project sequence. Reflecting on your work allows you to evaluate your creative choices and technical execution, helping you grow as an animator and storyteller. So leap into the final topic: Reflecting on Your Final Project Sequence.

Important

Gearing up for your assessment

As part of the final assessment for this module, you must produce a written reflection that examines your completed animation sequence and explains your process in creating the sequence.

To guide your reflection, consider the following points:

• Project narrative: Introduce and describe the narrative of your sequence. What is the story? How is it told in your sequence?
• Narrative techniques: What narrative techniques did you use when designing your sequence and why?
• Shot types and techniques: What types of shots did you use? What about angles, camera movements, and continuity? How did you pace the sequence?
• Composition: What aspects of composition theory did you aim to incorporate? Give examples.

How effective do you think the results were across these points? What would you do differently in future projects? Which aspects can be improved? How can they be improved? Why would they enhance the final outcome?  

These prompts will help you during this course’s very last learning task – Reflect on your sequence – at the end of this topic.

Practice

Task 17: Reflect on your sequence and produce a written reflection for assessment

Practise your ability to explain and defend the narrative aspects of your animation sequence. This includes detailing the decisions you made, observations you gathered, and adjustments you applied throughout the planning, production, and refinement stages.

This learning task will help you with a crucial component of your final assessment, providing an opportunity for you to critically evaluate how well your final project sequence meets your initial expectations and to identify and articulate areas for improvement.

What tools or resources do you need for this task?

Make sure you have access to:

• Microsoft Word or other document creation software that can export files as PDF (for assessment submission).
• Your:
  • Final project sequence files
  • Storyboard and Animatic
  • Any project notes, sketches, or documents that outline your planning, decisions, and adjustments made during the production process.
  • Reference materials used for visual and narrative inspiration throughout the project.
  • Production Asset Checklist: A checklist of all assets created and used in the sequence, including any updates made during production.
• Any feedback or critiques received during peer reviews or from instructors.

What steps should you take to complete this task?

Use the time allocated in your project schedule for this task. Remember to save your work as you go when using Microsoft Word or other document creation software.

1. Introduction to the Narrative: Begin by introducing and describing the narrative of your sequence. Explain the story and how it is conveyed through your sequence.
2. Analyse Narrative Techniques: Discuss the narrative techniques you employed in the design of your sequence. Explain why these techniques were chosen and how they contribute to the storytelling.
3. Examine Shot Types and Techniques: Describe the types of shots used, including angles, camera movements, and continuity. Assess how these elements contribute to the pacing and overall effectiveness of the sequence.
4. Evaluate Composition: Reflect on the principles of composition theory that were applied in your sequence. Provide specific examples of how these principles were implemented and their impact on the visual outcome.
5. Assess Effectiveness and Improvements: Evaluate the effectiveness of your sequence in terms of the points mentioned above. Consider what worked well and what could be improved. Discuss how you would enhance these aspects in future projects and the rationale behind these improvements.
6. Draft Your Written Reflection: Compile your insights into a well-structured written reflection, addressing all the points outlined above. Ensure that your reflection is clear, comprehensive, and provides a thoughtful analysis of your sequence.

What should you do after completing this task?

1. As you complete your reflection, think about the journey you undertook from planning to producing and refining your sequence. How has this process informed your understanding of narrative and technical execution in animation? What new insights have you gained about your creative process and skills?
2. Send a summary of your reflection to Forum. This could include highlights from your reflection, key learnings, or specific aspects where you seek feedback:  
   1. Select your forum thread in Forum: Final Project Sequence.
   2. Select Reply to your first Forum post.
   3. Enter the words ‘Task 17: Reflection’ in your reply.
   4. Select the Post your response button, then select Edit in your new reply when it shows up.
   5. Upload your written reflection using the Attachment field.
   6. Select Save changes to share your coursework to your forum thread.
3. Adjust your project schedule based on the time taken for this task and any new insights gained.
4. Get feedback on this and other learning tasks at the next Live Session – check the Live Session calendar for dates and times.
5. Schedule a project check-in with your facilitator to review your progress, get valuable guidance, and plan the next steps. Depending on your progress and the complexity of the tasks, this project check-in can cover a single task or a group of related tasks. Use this opportunity to discuss any challenges and ensure you’re on track with your project.

With your reflection underway, you’re poised to celebrate the culmination of your animation journey! In the next section – Summary – you’ll revisit the key learnings and outcomes of this module, tying together the skills and insights you’ve gained while crafting your final animation sequence. This is your moment to appreciate your progress and prepare for future creative projects where you can develop worlds and bring your imagination to animated life.